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《爹爹,我把骨肉还给您》, 2023, installation view in 'The Unfaithful Octopus', MAIIAM Contemporary Art Museum, Chiangmai, 2024. Photo by Phuping Tankasem.
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Installation view,《爹爹,我把骨肉还给您》, 2023, "The Unfaithful Octopus", NTU ADM Gallery, Singapore, 2023
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Installation view, "GOD LOVES, MAN KILLS", "THE FORGE" and "AHAB" in "Thinking About Abstraction Part 2", 39+ Art Space, Singapore
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Installation view, "FIRE BLANKET 09", in "Thinking About Abstraction Part 2", 39+ Art Space, Singapore
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Installation view, "寒山风" and "FIRE BLANKET 13", in "Artist Conference (1) - Interval", Comma Space, Singapore, 2023. Photo by Ken Cheong.
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Installation view, "FIRE BLANKET 12" (right), S.E.A. Focus Curated: chance constellations, Singapore, 2022. Photo by Darren Soh.
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Installation view, "未成年" (left), We're Young Once, Art Agenda @ 63 Spottiswoode, Singapore, 2022
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Installation view of "HISTORY KEEPS ME AWAKE AT NIGHT" and "VISIBILITY IS A TRAP", S.E.A. Focus Curated: hyper-horizon, Singapore, 2021
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Installation view of "GOD LOVES, MAN KILLS", "SOLEMN JUDGEMENT", "HONOUR SLAYING" (middle), Closer than they appear, Yavuz Gallery, Singapore, 2020
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Installation view of "FIRE BLANKET 07" and "SEEK AND DESTROY", A Decade Apart / Together, Richard Koh Fine Art, Singapore, 2020
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Installation view of "NIGHTCRAWLER" (second from left), Coda Culture Opening Party Show, Coda Culture at 67 Aliwal Street, Singapore, 2020
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Installation view of "FIRE BLANKET 06" (middle), Emerging: Collecting Singapore Contemporary - Selections from the DUO Collection, The Private Museum, Singapore, 2020
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Installation view of "FIRE BLANKET 01" (left), SPACES, Ota Fine Arts, Singapore, 2018
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Installation view of "FIRE BLANKET 04" (left), The Direction I Rub One Matters, Grey Projects, Singapore, 2018
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Installation view of "FIRE BLANKETS", A Dive, Splendid! Graduation Showcase, LASALLE Winstedt Campus, Singapore, 2018
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Installation view of "PRAYER FLAGS", To leave home is already half the journey, Institute of Contemporary Arts, Singapore, 2018
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Installation view, LASALLE Winstedt Campus, Singapore, 2017